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The great wall movie cost tv#
It also offers all of the same unique configurations offered on the larger model, with Samsung boasting that the TV would support a variety of aspect ratios beyond the traditional 16:9, and can scale the resolution and aspect ratio to whatever will look best on your unique setup. The TV boasts a refined version of MicroLED that fits more LEDs into smaller modular tiles, allowing the TV to offer 4K resolution in the 75-inch size. Because The Wall is made up of borderless tiles, the modular design allows additional tiles to be added, making this even-bigger version of The Wall possible.īut there was also a more reasonable take on the technology, with a 75-inch model called The Window.
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The first was an even larger version of The Wall, stretching the massive TV from the 146-inches we saw in 2018 to a jaw-dropping 219 inches.
The great wall movie cost plus#
The cultural hook is clunkingly obvious but also vacuous – we learn nothing about the Great Wall from the movie – plus the imagined need for balance between East and West saps all the cultural insight and authenticity out of it, leaving it in a weird cultural vacuum. Perhaps the most high-profile release to date in a budding industry of China-US co-productions, The Great Wall is a perfect example of why joint productions with genuine, organic cross-cultural appeal are hard to do. The film even features a member of boy band TF Boys, China’s One Direction equivalent, playing the emperor of China, a casting choice so inexplicable you suspect Zhang is trolling his own movie. It also has fierce female warriors in sexy blue breastplates, a fairly bold revision of traditional notions of feminine submissiveness in Chinese culture.
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And despite its vaguely medieval vibe, it is definitely not ‘historical’: the movie is supposedly set during the Song Dynasty, except that the real Song Dynasty didn’t control the Great Wall. But to its credit, it wastes very little time in setting up its unlikely scenario – ancient creatures from a meteorite attack the Great Wall every 60 years (why that interval of time?), we hit the first battle barely 15 minutes in, and it’s all over in 100 minutes. With its cast of thousands, swooping camera and pseudo-historical setting, The Great Wall is the type of movie usually described as historical epic. The movie is a perfect storm of everything that is underwhelming about mainstream Chinese cinema in the 2010s: narrative structure that desperately imitates Hollywood, thin script, questionable effects. The Great Wall is cosplay history with an onslaught of battle scenes there isn’t a story. None of them has the slightest screen presence – the performances are powerfully anonymous – but even to point that out feels like a digression. Like the earlier film, The Great Wall assigns familiar Hollywood faces – Matt Damon and Willem Dafoe – to the frontline, while roping in stars from across the Chinese-speaking world in supporting roles. Well, if at first you don’t succeed… Five years after Zhang Yimou notably failed to score a massive crossover hit with 2011’s The Flowers of War, a mawkish and contrived Nanjing Massacre melodrama starring Christian Bale, he returns with The Great Wall.